What does chandler bing do for work

Rachel, starting her life as a waitress, eventually finds her sea legs and gets into the fashion world she adores. Even Joey had his career mapped out. Chandler was in data processing, but based on the types of reports that were run at his office, it can be assumed he worked in IT procurement.

He moves into a supervisory role during the run of Friends after working for the company for five years. Eventually, he becomes a junior copywriter. The job was far more fulfilling, but Chandler likely earned less in advertising than he did in data processing, at least at the time the show was on the air. When he eventually quit and entered the world of advertising, his original position likely netted him next to nothing.

Eventually, as he moved into the role of a junior copywriter, he was making a decent salary, but nowhere near what he was making at the data company that previously employed him. Friends has long baffled us thanks to the ridiculously big apartments the cast live in and the amount of time the gang spend sitting in a coffee shop during the day. According to data acquired by Giff Gaff from Distinct Recruitment , Joey was actually the highest paid member of the gang.

Joey had 17 different jobs over the course of ten series — from selling cologne in a department store, to dressing up as a gladiator in Las Vegas, to working in Central Perk. She did have to go through some periods of unemployment to get there, though — as well as dancing on a counter as a waitress in a 50s-themed diner. However, she turned down her job in Paris to stay with Ross, so we reckon that pay cheque disappeared pretty quickly. The stakes which have become, through a series of predictably zany events, incredibly high : If the women lose the game, they have agreed, they will trade apartments with Chandler and Joey.

His name was …? His profession was …? Her actual favorite movie is …? The women freeze, dumbfounded. Rachel notes that Chandler carries a briefcase. This clue does not help. They look at each other, panicking. That, Monica squeals in agony, is not even a word. Monica and Rachel lose the game—and with it, their beloved apartment. No one knows how Chandler Bing makes his living. That includes, quite often, Chandler himself.

E ach episode of Friends engages in a cheerful act of bait and switch. In , in particular, those lines suggested that Friends might be a comedic rendering of Reality Bites , the Generation X touchstone that had premiered earlier that year—a story about young people attempting to eke some purpose out of a world that has given them none. Friends was too enamored of its premises—New York and youth and all the magic that might be found in the mingling of the two—to deliver on its own implied pessimisms.

The show emphasized the giddy possibilities of the stage of life that, when Friends premiered, was about to be given its own designation: emerging adulthood. And so Friends , a family sitcom that celebrated the family you choose , was built not of betrayals, but of accommodations. That optimism was evident from the very beginning in the array of professions that Friends allotted to its core characters.

Friends cared deeply, in its earnestly sardonic way, about the careers it had bequeathed to its protagonists. This was one of the fantasies Friends was selling: The show created a world whose denizens were able to take advantage of their work, rather than the other way around.

Except, that is, when it came to Chandler. Chandler, who is so indifferent about what he does that he is unable to pay his job even the small courtesy of hating it—Chandler, besuited and bedraggled, whose work in computer-something-or-other summons the amorphous anxieties of the coming digital age.

Maybe he is a transponster. Does it matter? Could he be less passionate about it?